![]() ![]() The art starts immediately as you walk from the parking garage into Terminal B’s pre-security atrium. But also, from the passenger’s perspective, it feels like somebody up there actually cares. The architects of LGA’s new public art program mostly sidestepped the twin traps of blandness and kitsch, demonstrating a seriousness that reflects the importance of art (and artists) to the city’s identity. The other city airport offers a perfect example: the New York–themed “ Selfie Station” that JFK revealed last year in Terminal 4, a booth that invited visitors to take selfies with shopping carts full of “Thank You” grocery bags as if lugging around suburban-style carts were a quintessentially New York activity. But mostly, we use “airport art” as a pejorative. There are a few exceptions, like Chicago’s O’Hare airport, home to Michael Hayden’s iconic neon installation, which turns a claustrophobic walkway into a giant kaleidoscope, and SFO, which has 34 employees to oversee its museum-quality collection. This is perhaps why so many might recall the art in airports, if they can recall it all, as bland corporate décor or maddeningly literal, like the giant flamingo in the Tampa airport or the monumental blues guitars in Austin. Most airports don’t have anyone with an M.F.A. Boasting a budget of over $22 million dedicated to art alone, the LGA renovation is one phase in a larger $30 billion revamp of New York’s three commercial airports, projected to finish in 2030. It’s one of the many large-scale artworks commissioned for LGA’s two new terminals as part of its public art program, which is overseen by curators from the the Public Art Fund in Terminal B and the Queens Museum in Terminal C. Now, when you get out of the taxi and roll your luggage into Terminal B’s gloriously lit, high-ceilinged baggage area, your vision is flooded by artist Laura Owens’s 500-foot mosaic wall, I □ NY, a periwinkle sky dotted with cumulus clouds and pixelated emoji images of New York icons: a pizza slice, the Cyclone, the sign from the Stonewall Inn. The baggage areas suffered from low ceilings and creepy fluorescent lighting the floors and surfaces were built from cheap industrial materials that recalled midtown cubicles the cramped footprint and poor crowd control made you feel like a turkey marching to slaughter. ![]() To help figure out which kit for waxing at home is best for you (from head to toe), we’ve pulled together the best at-home hair-removal wax products that are flying off the shelves and ensure smooth skin.Until last year, traveling through La Guardia Airport was a deeply undignified experience. ![]() When using in sensitive areas, it’s crucial to have a lotion or moisturizer ready to use post-wax so you can properly care for your hair follicles and prevent ingrown hairs. Others may feature meltable wax beads, sugar wax, and wooden spatulas to get the job done. For nervous beginners, some kits include ready-to-use strips which typically only require you to do a simple pre-wax skin-care prep, such as exfoliation. Many also come with wax oil and skin soothers to help minimize irritation for those with sensitive skin. Most at-home waxing kits-from tried-and-true beauty brands, like Sally Hansen, and buzzy, newer ones, like Flamingo and Nad-come with all the essentials needed to swiftly remove hair in just a couple of passes. The plus of using a waxing kit over shaving is that yanking hair out from the root usually means your results last a bit longer, meaning hair growth won’t be an issue for a while. An at-home waxing kit can help remove both body and facial hair-everything from underarms to upper lip to bikini lines-with very little mess or pain involved. If you want to keep everything looking and feeling super smooth but you’re not ready to head to your regularly scheduled waxing person, there are lots of at-home waxing kit options available. Summer usually calls for baring a little extra skin, so it’s no surprise that many of us are in search of the best home waxing kits as an easy hair-removal solution. ![]()
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